Yeah, it’s lengthy, but the bars, the backdrop, and the vibe is literally ‘everything.’ If there ever was an eight-minute record to put on repeat, “Wu-Tang Forever” just might be it. Furthermore, “ICONIC” samples J. Cole (“Simba”). ReddIt. Gems: “Everybody Dies,” “The Return,” “The Glorious Five,” “One Day,” “Wu-Tang Forever, “100 Miles and Running,” “YSIV” & “Iconic”. But even aside from just that, his subject matter can be very repetitive. I hope you enjoy my content. 4.0. out of 5. I’ve always enjoyed Logic, but he hasn’t been at his creative peak the last couple years. He isn’t playing around on the hook: As aforementioned, he serves up cocky, confident, and ‘turnt-up’ rhymes, with no shortage of memorable, punch lines. Interestingly, the sound feels reminiscent of Logic’s debut LP, Under Pressure. Twitter. Logic finding a passion for smoking weed is fine, but rapping, “For shizzle my nizzle, I feel like D-O-double Gizzle on this grizzle, my nizzle/Put the greenery on the grill and let it sizzle, my nizzle/It don't matter the season Bobby let it burn when it drizzle,” is not. Standout “The Return” commences with an old school sample at the beginning.
The streak continues on the epic sixth track, “Wu-Tang Forever.” As promised, he manages to feature every member of Wu-Tang Clan on this eight-minute juggernaut. “The Adventures of Stoney Bob” featuring Kajo, Slaydro, and Big Lenbo and “One Day” featuring Ryan Tedder are the album’s most significant missteps. While the Grammy-nominated rapper is clearly exaggerating, he is one of the more prolific and skilled rappers in the games. Question: How closely did you listen to ‘Sleep Well Beast,’ by indie-rock band The National? It features an old-school sensibility and a balanced sound (drum programming, synths, sample, piano). I have to admit since it’s announcement I’ve been weary of this album. On Kanye’s version, he got all his rapping done BEFORE he started telling his story. His footprints are practically imprinted in that ground he’s covered it so much. There aren’t many hip-hop features on this album, but the ones present are all impressive. Grammy-nominated rapper Logic remains on autopilot throughout the course of his highly-anticipated, fourth studio album, ‘YSIV. He continues to show just how much he believes in himself. His falsetto is fierce to the nth degree. (adsbygoogle = window.adsbygoogle || []).push({}); List choice
It’s nothing profound, but works perfectly. Arguably, YSIV is a better-rounded album than his 2017 effort, Everybody. I'm Julian. The ending, much like some films, was a bit predictable though. Featured peformers: 6ix (executive producer). Logic, YSIV | Album Review October 4, 2018 Posted by the musical hype Album & EP , Music, Pop Culture, Reviews. “Last Call” finds the rapper taking a page out of his colleagues’ book, reflecting openly on his life before becoming one of the top rappers in the game. Logic certainly has no shortage of confidence on standout “Everybody Dies”. His footprints are practically imprinted in that ground he’s covered it so much. But even aside from just that, his subject matter can be very repetitive.
As always, there’s lots to take in – most of it favorable. Read honest and unbiased product reviews from our users. So does the fourth and final installment close it out with a bang? As I mentioned earlier, Wale carried himself well on “100 Miles And Running”. Few have a flow that’s as sweet as his, and he also has the bars to back it up. Like many Logic albums, it begins with a skit which closes out with Thomas saying, “Let’s get back to this boom bap shit.” Throughout YSIV, and first evidenced by the lengthy opener, Logic is all in on boom bap, dropping sensational rhymes. Released 28 September 2018 on Def Jam (catalog no. On the second verse, he remains tough, unapologetic. As for Lindahl? YSIV is a cloying album, which features Logic pointing at an amorphous idea of the past, but avoids adding anything artistically transformative to his worship of it. Then on “Street Dreams II”, Logic enacts a movie through song. He can’t go at the speed Logic does, but he rode the beat like a champ. Not to mention, nothing on that song comes CLOSE to “Mayonnaise colored cars, I push miracle whips.” (Super classic line). Across 14 tracks, the Maryland rapper is obsessed with the idea of "boom-bap”—a phrase he uses excessively. Unsubscribe, © 2020 by Brent Faulkner (The Musical Hype). Notably, you’ve gotta love how his vocals are layered throughout “Everybody Dies,” coupled with the agility and speed of his rhymes. I think this is the best Logic release there is. The DMV lyricist is a gifted technician still selling the same stories—his journey from poverty to wealth, coming to terms with his biracial identity, and why he deserves more respect within and outside of hip-hop—without including any new layer of personal depth. The only other important feature aside from that comes on “Wu-Tang Forever”. YSIV, an Album by Logic. If that wasn’t enough, he enlists Wale and John Lindahl for the grooviest song from YSIV, “100 Miles and Running.” Safe to say Sir Robert Hall goes off, delivering his most agile rhymes of the LP. Not that we hear much of him on “Wu-Tang Forever”, but what he did was definitely good. Similarly, the saccharine “One Day” is a glaring addition to the tracklist, even if Logic is the latest racially ambiguous pop-rap star to steal America’s hearts. Songs like “One Day” feel so amateur for Logic. He talks a lot of shit, but, you must admire his flows. Logic’s defining trait is the way he can find and exploit the various layers and textures of a beat. Still, enoyable. “The ‘boom’ is the kick drum and the ‘bap’ is the snare," KRS told Red Bull Music Academy in 2013. Linkedin. Celebrity Pumpkin Picks -- Gourd Lookin'. He’s more thoughtful on the über soulful “Legacy,” characterized by chopped and screwed vocals, reverb-heavy piano, and those signature, dusty drums. Sorry, your blog cannot share posts by email. Throughout YSIV, Logic has been red hot. Some credit the phrase’s creation to T La Rock’s 1984 song “It’s Yours,” but it was KRS-One, DJ Premier and Pete Rock who helped turn Rock’s adlib into a musical classification. Post was not sent - check your email addresses! From the start of the first verse, he’s confident to the nth degree – “Bitch, I’m here to win it now / L-O-G-I-C, I’m feeling free, I’m finna bring it now / If you know the words take a step back and sing it now.” Following the first verse, he drops an ultra-repetitive hook. The resulting backdrop is rhythmic and soulful in nature. Where his lyrics generally lack nuance—looking at you “Fuck a mumble let's make America rap again”—his flow and delivery pick up the slack. While he’s naturally confident, he’s also thankful for his many blessings, fans, and support. 3.55 Community Rating; 58 … The Musical Hype, Form action
“YSIV” is incredibly effective thanks to the old-school production, and a superbly chosen sample, “Life’s a Bitch”, courtesy of Nas featuring AZ.
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