Find movie and film cast and crew information for Shaft (1971) - Gordon Parks on AllMovie ... Gwen Mitchell. Shaft ended up being the most popular movie that director Gordon Parks ever made, but his work was more diverse than that, as demonstrated by his only prior film, the delicate period drama The Learning Tree. : During his investigation, Shaft uncovers a Mafia plot to take over a chunk of the Black underworld\'s uptown territory.\"@, Video recordings for the hearing impaired\"@, African American private investigators\"@, Export to EndNote / Reference Manager(non-Latin). Gwenn Mitchell was created on July 6, 1942 in Morristown, NJ, USA. : sound, color ; 4 3/4 in. | She is an actress, known for Shaft (1971), Chosen Survivors (1974) and Mission: Impossible (1966). The E-mail message field is required. You can view Barnes & Noble’s Privacy Policy. Other Works

In the screenplay adapted by Ernest Tidyman from his own novel, Shaft (Richard Roundtree in a star-making turn) undertakes his toughest case: rescuing the kidnapped daughter of Harlem crime boss Moses Gunn in an attempt to stave off full-scale gang warfare. Up to that time, the only black leading men in any Hollywood studio films had been genial, articulate personalities who were acceptable to moderate white audiences: Sidney Poitier most recently, and James Edwards in a few from the late '40s to the early '60s. Learn how to enable JavaScript on your browser, Behind-the-Scenes Documentary: Soul In Cinema: Filming Shaft on location; ; Shaft: The Killing (1973 TV Episode); 3 Theatrical Trailers. The subject field is required. Please enter recipient e-mail address(es). That's no way to feel.
: Official Sites Director of photography, Urs Furrer ; editor, Hugh A. Robinson ; music, Isaac Hayes. http:\/\/www.worldcat.org\/oclc\/810135734>. English and dubbed soundtracks in French, German and Spanish (Latin and Castilian); optional subtitles in French and Spanish. Pratt & Whitney is a world leader in the design, manufacture and service of aircraft engines and auxiliary power units. Movies. who brought the archetypal hard-boiled detective to the ghetto and transformed him into a baaaad dude, 1971-style. Sorry, I can't make it. Yeah, I know. Even more startling for a movie from MGM is that the film presented the black point of view as the norm, the point of reference, in most of these arguments in Shaft -- this from a studio that 34 years earlier wouldn't let Fritz Lang, when he was directing Fury, cast black actors as anything other than railway porters and shoeshine boys. The fact that the movie also had a good mystery at its core, coupled with the newness of the images and the setting, made Shaft a seminal action thriller, more bracing and involving at the time than the bigger-than-life antics of Roger Moore's James Bond.

Ellie Moore Roundtree, as a black Sam Spade, is hired by Gunn to find her. Black ; produced by Joel Freeman ; directed by Gordon Parks. ?) In 1965 she had a nervous breakdown, and a second breakdown in January 1978.

John Shaft Uh-oh, it looks like your Internet Explorer is out of date. She is an actress, known for Shaft (1971), Chosen Survivors (1974) and Mission: Impossible (1966).

Isaac Hayes, assisted by Tom McIntosh, soul-scored, with rhythm by the Bar-Kays and Movement. :
Few had scripts that were remotely as good, and none had the benefit of Isaac Hayes' pumping, pulsating score (including the Oscar-winning "Theme From Shaft") or Richard Roundtree's ultra-cool performance, which may explain why Shaft was the only movie in this vein to spawn two proper, successful sequels and a television series. (not yet rated) Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon … East Hartford, Connecticut. The E-mail Address(es) you entered is(are) not in a valid format.

In 1971 she played lead in the film "Shaft." Current price is $18.56, Original price is $19.99. Company Credits Considering the fast-paced early reels, the film may, to some audiences, begin to slow down towards the climax, and the last scene is a bit protracted, though not unduly harmful. During his investigation, Shaft uncovers a Mafia plot to take over a chunk of the Black underworld's uptown territory. For a better shopping experience, please upgrade now. Use up arrow (for mozilla firefox browser alt+up arrow) and down arrow (for mozilla firefox browser alt+down arrow) to review and enter to select. 1 videodisc (100 min.) Richard Roundtree, however, played John Shaft as a character who didn't care whether whites found him acceptable or not -- he was angry, proud, and fiercely sexual, but also displayed intelligence and street smarts of a kind that were a new mix on the screen. Even whites who weren't sympathetic to the black point of view had to see the movie for its vibrant use of real locations in an action context. Take a formula private-eye plot, update it with all-black environment, and lace with contemporary standards of on-and off-screen violence, and the result is “Shaft.” The Stirling Silliphant-Roger Lewis presentation, very well produced in N.Y. by Joel Freeman, was directed by Gordon Parks with a subtle feel for both the grit and the humanity of the script. Shaft (1971) cast and crew credits, including actors, actresses, directors, writers and more. Exhilarating, blood-soaked action sequences staged by director Gordon Parks, along with Roundtree's memorable characterization of this hip new hero, made Shaft the year's sleeper hit and brought blaxploitation into the mainstream. http:\/\/www.worldcat.org\/title\/-\/oclc\/810135734#CreativeWork\/unidentifiedOriginalWork> ; http:\/\/id.loc.gov\/vocabulary\/countries\/cau> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#CreativeWork\/shaft> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Topic\/african_american_private_investigators> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Topic\/gangsters> ; http:\/\/dewey.info\/class\/791.4372\/e23\/> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/shaft_john_fictitious_character> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Topic\/kidnapping> ; http:\/\/id.worldcat.org\/fast\/987322> ; http:\/\/id.worldcat.org\/fast\/1764196> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/cioffi_charles_1935> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/gunn_moses_1929_1993> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/roundtree_richard_1942> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/mitchell_gwenn_1948> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/st_john_christopher_1942> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/black_john_d_f> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/tidyman_ernest> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Organization\/metro_goldwyn_mayer> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/hayes_isaac> ; http:\/\/worldcat.org\/entity\/work\/id\/862886602> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/silliphant_stirling_1918_1996> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/lewis_roger_1918_1984> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Organization\/shaft_productions_ltd> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Organization\/warner_home_video_firm> ; http:\/\/worldcat.org\/isbn\/9780780694996> ; http:\/\/www.worldcat.org\/title\/-\/oclc\/810135734> ; http:\/\/dewey.info\/class\/791.4372\/e23\/>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#CreativeWork\/shaft>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Organization\/metro_goldwyn_mayer>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Organization\/shaft_productions_ltd>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Organization\/warner_home_video_firm>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/black_john_d_f>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/cioffi_charles_1935>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/gunn_moses_1929_1993>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/hayes_isaac>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/lewis_roger_1918_1984>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/mitchell_gwenn_1948>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/roundtree_richard_1942>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/shaft_john_fictitious_character>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/silliphant_stirling_1918_1996>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/st_john_christopher_1942>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Person\/tidyman_ernest>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Topic\/african_american_private_investigators>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Topic\/gangsters>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/862886602#Topic\/kidnapping>, http:\/\/id.loc.gov\/vocabulary\/countries\/cau>, John Shaft, (Fictitious character); John Shaft, (Fictitious character). Separate up to five addresses with commas (,). This debut is a smash. Your Web browser is not enabled for JavaScript. Gordon Parks' Shaft was something startlingly new and unexpected when it appeared in 1971 -- indeed, it was unique with its lead character, a tough, aggressive, attractive black man, played with great charisma by Richard Roundtree.

New York City didn't look remotely as good here as it did in the studio's previous major use of its streets as a film setting (in 1949's On the Town), but its streets and buildings and alleyways pulsed with excitement in Shaft. Ernest Tidyman’s novel, adapted by himself and John D.F.


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