And when the innovative funk man set it against those sparkling synths and ambling drum machine beat, there wasn’t one among us who wasn’t in the mood for a little digital love. (It won six MTV Video Awards.) Eventually, he had the shit sued out of him, and hip-hop was forever changed. Considering "Blue Monday" went on to become the best-selling 12-inch single of all time, it's safe to say the band was headed in the right direction. Decades before a very pregnant MIA performed at the Grammys, Cherry made her British-TV debut performing this hip-hop classic pregnant and proud—and delivering one of hip-hop’s freshest flows to this day. More than three decades on, it never fails to make us sing our fool hearts out on the dance floor. “Nineteen eighty-nine…” The first five syllables of Public Enemy’s most zeitgeisty hit, made at the request of Spike Lee for his groundbreaking film. Throwback to turn up. They then resumed work on Once Upon a Time, their next album. And that bit that sounds like made-up gibberish? But beyond the radio-friendliness of the cut—its popularity was something many Deadheads scoffed at, as if liking it made listeners less devoted or discriminate fans—it’s also kind of a perfect, with an upbeat tempo, some genuine catchiness and just enough lyrical cleverness. By Glenn Rowley. Yet within those self-imposed limitations lies something truly dreamy, with the song rising and falling like the sea, propelled and subdued by the trio’s delicate chemistry. Fine, Madge, but you can't have looked as dorky as the millions of us who sang it into our hairbrushes. The album, released in 1980, went on to become the second-highest-selling album in history, cementing the Aussie outfit's status as one of the biggest hard rock bands of all time. If you're in an '80s cover band and you're not playing this song on a nightly basis—well, there's just absolutely no way you're not. Those unforgettable snare snaps comes courtesy of producer Steve Albini, and it’s one of the many touches the band’s most popular song (one that wasn’t even released as a single in ’88) has going for it: Among the many others, there’s Kim Deal’s haunting, reverb drenched backing vocals that so many indie-rock groups would go on to ape, a cracked-voiced Black Francis spitting out cryptic-cool lyrics, and deceptively simple lead guitar and bass combo that still gives us goosebumps. We dare you to hear it and not clap along. 5/8/2020. But the decade delivered some of music’s most emotional, teary moments, the more affecting for the fact that the vehicle is pop. Nine years later, though, he came awfully close to outdoing himself with "Sexual Healing," his first non-Motown single (released just two years before he was fatally shot by his father). For one thing, “Touch of Grey” was the only song by the ever-touring act to eke its way into the Top 10 on the, Has a drum introduction ever sounded this. And if you need more playlists that hit the spot, dip into our lists of the best summer songs and breakup songs. Writer-singer Bryan Ferry’s falsetto during the verse draws you in, his romantic mantra of a chorus absolutely floors you, and the whole thing is shrouded in a plaintive, synthy, beautiful glow. 80s Song Intros. Those deliciously decade-appropriate synths. It's impossible to feel bad when this tune's Caribbean-inflected rhythms start pumping from a nearby speaker. , pack a ton of punch. The song was played during the opening (Forsey's demo) and closing (Simple Minds' recording) credits of the John Hughes film The Breakfast Club Oh, and there's also the little matter of the greatest drum fill in pop history at the 3:40 mark. Déjà vu! (It’s also from an album called. It is. “Just A Friend” is the opposite of braggadocio. You can practically hear 23-year-old smiling through the chorus, urging every last wallflower on to the dance floor. Though it proved a surprise commercial hit for David Byrne's new-wave art-pop experimentalists, it's easy to forget just how deliciously weird this song sounded back in 1981. It wasn't just a souped-up DeLorean that safely spirited Back to the Future's Marty McFly home to the '80s: He was also aided by this ditty from harmonica-blowing everydad Huey Lewis, who penned the song for the 1985 blockbuster's soundtrack. We do our own songs," he recalled to the BBC in 2018. The absolute best ’80s songs. Usher, "Yeah!" No guitar act better assimilated hip-hop than the Clash, probably because they had so much practice sponging up dub. Now that ’80s nostalgia is into its third decade (and shows no signs of slowing down anytime soon), it’s high time we cooked up the definitive list of the best ’80s songs ever. When it came to hair and emotion, bigger was always better. (Okay kids Ready to go) the memories, the music, back life was just simple, the 80s is very much alive (All I want is privacy) lock the room, turn up the boombox and lets dive into the 80s wormhole (How do you do it) Just press play, no ipods, no iphones, just pure 80s lifestyle. Early Cars hits were all tight leather trousers and sunglasses, but by the end of their career, they were producing records like Michael Bay makes movies, filled with special effects, perpetual sunsets and supermodels. But her aching sensuality allowed her strangeness to connect with a mass audience. Two decades before T-Pain fell in love with a stripper (and subsequently a bartender) and Kanye West made 808s & Heartbreak, Ohio outfit Zapp’s frontman Roger Troutman was serenading ladies with the aid of Auto-Tune’s weirder, funkier uncle: the talk box. Roxy Music’s most played song on Spotify by a country mile (the runner up, “Avalon,” draws about half the audience) didn’t even crack, Is there a song more synonymous with a movie than this one? A song so quintessentially ’80s, from its sharp synth bass to its inclusion in the film Desperately Seeking Susan—this popgasm has only one critic: Madonna. Gaye already gifted the world arguably the greatest song about sex ever, "Let’s Get It On," in 1973. In 1984, Tina Turner was 44 years old and on the comeback trail. A sleeper hit for the English heavy-metal band in 1987 (it didn't get much play until the band recorded a promo clip for its North American release), “Pour Some Sugar on Me” is among the group’s finest efforts. The Nigerian-born, U.K.-raised singer-songwriter is in top form on this hit single from her multi-platinum-selling second album, Promise. The video was published on YouTube on 3 December 2010; as of August 2020, it had been viewed more than 176 million times. Is there anyone who doesn’t like this song? "So tonight I'll sing another/ Another break up song/ So turn it up, let it play/ On and on and on and on/ For all the times they screwed us over/ Let it play on and on and on/ Just another break up song," the foursome sing over danceable pop production on the track's pulsating chorus. "Don't You (Forget About Me)" is a song performed by Scottish rock band Simple Minds. (Bryan Ferry and Billy Idol also passed.) A global hit in 1981, the star's signature song finds him joined by the mighty Temptations on backing vocals—including James's uncle, Melvin Franklin. Our sonic roundup of the era that brought us Miami Vice, mall culture and more awesomely cheesy entertainment than any sane person can handle is wonderfully diverse.

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