Tuesday 5th July 2016. I missed you on the bill originally, because you're in the theatre bit. I saw the 2012 Sheeps show [Dancing With Lisa], which was great, but I sensed some sniffiness from other people about you all coming from Cambridge Footlights. There's so much stuff going on there, do performers treat it like a mini-Fringe? I definitely felt better about things after it. Please defer to the short style guide. In 2013, Williams was nominated for Best Newcomer at the Edinburgh comedy awards, and a year later for Best Show, earning dizzying accolades in the process as ‘the voice of a generation’1 and ‘the Philip Larkin of British comedy’. ROBBIE Williams will have to make do with a war of words with keyboard warrior Liam Gallagher – as his wife Ayda has made him call off a boxing match … I think that's the case, I've only done it the once, but it definitely felt worth doing it again. In lists of three or more things, include a comma between the final two, before the ‘and’ (Manchester, Leeds, and London). That sudden rendering of context. After each Edinburgh festival, Williams performed his most recent show at the Soho Theatre and The Invisible Dot in London. I'm aware that, of all the forms of prejudice that are rife in Britain today, that which is directed towards northerners at southern universities is nowhere near the most heinous, but there is still a significant socio-economic divide between the South East and everywhere else in the UK. That show I saw, Jimmy Carr was in there... Ah you were there that day, that was an interesting gig! We are run by a team of volunteers, and thus we are unfortunately not yet in a position to offer a fee. I did a little bit at university, and I'm in Twelfth Night, I'm playing Toby Belch, which was Tim Key's part in January, he's gone away. So you did Twelfth Night for charity back in January, and it went well enough that you co-founded a production company [Fight In The Dog] afterwards? Never apply your front brake first’. What about other projects? The problem with that, you've got to write a lot, with absolutely no guarantee you're going to get paid. "What this place is, exactly, and how it should be used, is still anyone's guess, and the conflicting rights and responsibilities of living in a first world democracy come out in Williams' frenzied introspective asides. [16], At the 2016 Edinburgh Fringe festival, Williams presented his debut play, Travesty, following previews in London. Cowards, the sketch group, were very good at that. No Sheeps or stand-up this year actually. Pls Like, the mockumentary series spoofing YouTube influencers, is to return for a third series. It's shorter, it'll be an interesting test, all Shakespeare plays are different in length and withstand cutting to different degrees, but we're going to try to do it in 70 minutes. https://www.independent.co.uk/arts-entertainment/edinburgh-festival/liam-williams-the-cellar-monkey-review-an-intelligent-funny-and-densely-layered-show-9659864.html. He wrote something in it along the lines of "I realise only now that it might be an insensitive gesture to buy you a book about walking to Turkey when you’re in this condition". You’d come up with an hour or so which should theoretically last you a year or two and it would be gone in a month. The characters are not really based on specific individuals. "Politics is about communities and people gathering together and sharing and debating," Williams says, "and comedy is quite good for that. In his stand-up, (in a section later transcoded into a ‘Comedy Blap’ called 'Things'), he deals with the issue in self-deprecative shorthand: about underwhelming coital performance, unrealistic relationship expectations, and general immaturity — 'she’s abed, looking round the room, I guess just collecting data, to take away with her, and use to assess the extent to which she’s selling herself short in these transactions'. This avatar of the individual, adrift, is one perfected by Williams, and it is variously sensed through his comic stage persona, his travel-writing, and his comedy shorts. Loose group. ¶ With regard to the derring-do approach, I wondered how that manifests itself in your sketch-writing, in shared ideas. Otherwise, one or two other TV projects in early stage development. And probably wasted a lot of time I should have been exploring — sitting ruminating about whether I’d seen enough’. Please provide a short author’s bio-line which will be published under your piece. He likes to relax with his kestrel and his crossbow. Again it is this thing of not really being able to commit to anything. Member of Sheeps. So the novel is the next big undertaking. Latitude takes over Henham Park, Southwold, Suffolk, from 14th-17th July. You're quite a brooding soul on stage anyway. There’s something I noticed in Monty Python’s sketches: the chaos of the scene existing outside of the scene, the sketch outside of the sketch: the between-shots and the lead-ins and the segues become the main event. Do men do a lot less in general? I’ve had a lot of broken bones. Has the show changed much since that first performance? Capitalism. When we started off definitely, and I think that's because - rightfully - of the general fatigue around all-male white middle-class sketch groups; especially young upstarts who look like they can't even manage to do, er, the washing up [Liam does sound like he's doing the washing up while we chat] let alone put on a sketch show. In 2010 Williams was the runner-up in the So You Think You're Funny competition at the Edinburgh Festival Fringe. Is this a question of design, of a club’s success, or of nostalgia? So that is what I was trying to get stuck into as I was writing it, and I don’t know if I properly succeeded, but it was okay. The booze helped. I like doing stand-up. In 2017, a web mockumentary series called Pls Like was released by BBC Three, written by and starring Williams as a struggling comedian who wins a contest to become the next superstar megavlogger, but must first undertake a series of challenges to win the attached £10,000 prize. I don’t know, maybe that’s a bit of a trite or an indulgent way to see the purpose of writing: to air your grievances. But it’s on hold at the moment because I’m doing more TV-writing. Mental health, sexism and watching stand-up through screens. With regard to the writing of it, it was like writing to assuage a compulsion or a hankering, in that it was about a break-up, and I’d had a break-up not all that long before it. More loose hybrids of various people I've encountered. "I feel compelled to answer questions like 'is the world getting better?' When I’ve been in a setting of pure Comedy, as much as that can exist, I feel slightly uncomfortable that there’s a dimension missing that might be more poetic, more thoughtful. We do have plans to address this in the future. Did you feel that at all? He's got so much else going on, he sort of says, 'then I fell down and broke my heels, then we resumed filming...'. Catalyst or not, Williams admits, “I don’t really find myself talking about party politics,” and instead turns in on the decision-making processes of those of us filling the streets and, hopefully, the polling booths.Both a product of the system and part of it, Williams voices inner battles that are probably going on in the head of any middle-class voter wondering about their place in the world. I heard that too, and what I thought was interesting about the way he tells it, he just skips over the story. Oddly enough, I heard another podcast recently where a comic broke his heel... Was it the Sacha Baron Cohen one [of Marc Maron's WTF show]? Do you think things have got better in recent years, or is such prejudice still prevalent? Not too bad really. ¶ I did notice, and I hope you don’t mind me saying this, that so many commentators and interviewers seem to say about you and your work the same batch of adjectives — and I’m not confusing you with the rugby player Liam Williams…. And cuts it all out, which for me is bamboozling, because for me that was the most difficult three months of my life. But enough people seemed to like it, and my ex seemed to like it, at least, she didn’t hate me for it’. I’ll probably have the same kind of chorus my entire life: always be trying to focus on something else more than what I am actually doing. How has 2017 been for you so far? Clearly I have brittle bones, it turns out’. That's why Mark Watson did that infamous ad, because he spent ages writing a novel that was rejected. Then by the time you do think it through, it is too late to back out’. Special formatting requirements are difficult to manage on an optimised website, but we will always try to meet a writer’s needs. It's an interesting juncture for Williams, an often dark and brooding comic who initially caught ears and eyes as one third of the marvellously inventive sketch group Sheeps, with Daran Johnson and Alastair Roberts. I think we like having fun with what is supposed to be the focal point of a sketch. (I wouldn’t — but for in unlikely circumstances — consider a teacake). Liam Williams is back with a second series of his Radio 4 series. First up, it's Williams' Shakespeare, as he's co-directing and appearing in Twelfth Night, with a hefty cast of fellow comics, following a successful first outing for charity earlier this year. ‘Not always, but often. Or I could try and do it in terms of volume with my voice’. In 2013 Williams appeared as the guest stand-up on Russell Howard's Good News. He has held the British middleweight title since 2018 and the WBC Silver middleweight title since 2019. BBC Radio 4 sitcom / comedy drama from Liam Williams. 8 episodes (2 series), 2015 - 2017. "Philosophy. ‘Yes. By the standards of most social media self-promoters I’d say it wasn’t popular, but for me, it was the most traffic I’d ever had to my website. The Leeds-born wordsmith is now back on his feet and preparing for the Latitude Festival, but he's not doing stand-up. Williams's 2015 Edinburgh show was called Bonfire Night. There's a joke in the new series along the lines of: I use as much artistic license as is necessary to make the stories legally and comedically broadcastable. We tried it out in Edinburgh last year and were aiming to continue with that in London, once a month, but because of my injury we had to cancel our show at Soho and we never quite got back on with it. ¶ How would that manifest in a more focused project such as 'Sheeps Skewer the News'? But can you do a fest with smashed-up feet? ‘Well, I think we consider ourselves part of — I think the word is — ‘group’. I think: I wish I could still pull off that look. ‘So in 2013 up to and around the Russell Howard performance I was about here’. But I’m not like that’. I wondered if that was the Footlights thing, people almost wanting to not like it. There’s something so delightful about suddenly evoking something strange and intriguing and then abandoning it. The protagonist in comedian Liam Williams’s meta-web series 'Pls Like' (2016) is an incredulous cynic obliged to integrate himself into the pastel morass of YouTube vloggers. Williams is a modest man, and strikes me as one who would mistrust such grand labels, but Alice Jones of The Independent, who wrote the former review, has, in a way, been prescient. He was nominated for Best Newcomer at the 2013 Edinburgh Comedy Awards and for Best Show at the 2014 awards.. Life and career.

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