all of me jazz standard history

"[3] It is usually performed at a medium tempo. The most recorded 1920s standard is Hoagy Carmichael and Mitchell Parish's "Stardust". [13] The most popular 1930s standard, Johnny Green's "Body and Soul", was introduced in Broadway and became a huge hit after Coleman Hawkins's 1939 recording.[3]. [1] In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. Viele Melodien, die zu Standards wurden, stammen ursprünglich aus den verschiedenen Genres der Unterhaltungsmusik wie: Broadway-Shows, Musicals, Hollywood-Filme, und sogar Operetten. "Jazz History: The Standards (Early Period)", Palimpsests: Literature in the Second Degree, https://en.wikipedia.org/w/index.php?title=Jazz_standard&oldid=980192421, CS1 maint: BOT: original-url status unknown, Short description is different from Wikidata, Articles with unsourced statements from March 2018, Creative Commons Attribution-ShareAlike License, This page was last edited on 25 September 2020, at 03:55. Stil, Melodie, Harmonie und Rhythmus werden von den Ausführenden, je nach Qualifikation, beliebig verändert. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. Based on the Brazilian samba as well as jazz, bossa nova was championed by João Gilberto, Antonio Carlos Jobim and Luiz Bonfá. Beliebt unter Jazzmusikern sind daneben auch, Den Beginn der bewussten Auseinandersetzung mit afrikanischen Rhythmen sowie Polyrhythmen kennzeichnet, Liste von Jazzstandards und -kompositionen, https://de.wikipedia.org/w/index.php?title=Jazzstandard&oldid=203943107, „Creative Commons Attribution/Share Alike“, AABA – Die beiden ersten A-Teile haben meist zwei verschiedene Endings, einen, der zurück zum Anfang (Wiederholung) führt, und den zweiten, der weiter zur Bridge (B-Teil) führt. Gilberto and Stan Getz started a bossa nova craze in the United States with their 1963 album Getz/Gilberto. Viele Standards erweitern das Harmonieschema und gehören zur Gattung des Jazzblues. [1] In the view of critic Ted Gioia, the definitive version was sung by Billie Holiday in 1941: "she staked a claim of ownership that no one has managed to dislodge in subsequent years". Gerald Marks and Seymour Simons wrote the words and music of "All of Me" in 1931. [1] Within weeks, another two versions were in the charts, with a Louis Armstrong rendition also reaching No. All of me, why not take all of me? Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. 21. 3 on the Hot Country Songs chart in 1978. Seit den 1970er Jahren war eine teilweise Rückwendung zu traditionellem Improvisieren über Standardthemen und -formen zu beobachten. The term ‘Jazz Standard’ is thrown around a lot between improvising jazz musicians, and we all make it our goal to master as many as possible. [3] The most recorded standard composed by a jazz musician is Thelonious Monk's "'Round Midnight". [6] The first record with 'Jass' on the label, The Original Dixieland One-Step was issue 18255 by Victor Talking Machine Company in 1917. [1], "All of Me (1931): Music and Lyrics Analysis", https://en.wikipedia.org/w/index.php?title=All_of_Me_(jazz_standard)&oldid=970376739, Creative Commons Attribution-ShareAlike License, This page was last edited on 30 July 2020, at 23:02. Typisch sind auch die Harmonisierungen von Charlie-Parker-Themen wie Blues for Alice und Au Privave: Dabei sind nur noch die Harmoniestufen der Takte 1, 5 und 9 mit dem Originalblues identisch. All of me Come on, get all of me Can't you see? Auf spontanen Jazzmusikertreffen, den Jamsessions, spielen Standards eine zentrale und unverzichtbare Rolle, weil sie die musikalische Schnittmenge zwischen fremden Musikern bilden. [1] It has an ABAC structure, and is written in the key of B-flat major. 1930s saw the rise of swing jazz as a dominant form in American music. The first jazz artist to be given some liberty in choosing his material was Louis Armstrong, whose band helped popularize many of the early standards in the 1920s and 1930s. I'm just a mess without you Take my lips I wanna lose them Get a piece of these arms I'll never use them Your goodbye left me with eyes that cry How can I ever make it without you? Die meisten Standards besitzen eine 32-taktige Liedform (4 × 8 Takte), wenn man vom Vers generell absieht. Others, such as "Some of These Days" and "Darktown Strutters' Ball", were introduced by vaudeville performers. Gerald Marks and Seymour Simons wrote the words and music of "All of Me" in 1931. Tin Pan Alley songwriters contributed several songs to the jazz standard repertoire, including "Indiana" and "After You've Gone". Die Zwischentakte sind mit Quintfallsequenzen ausgefüllt, die nach dem II-V-I-Schema nahezu grenzenlos eingefügt werden können, wie z.B bei dem Titel Bluesette von Toots Thielemanns. [11] Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. 14 in the charts. A commonly played song can only be considered a jazz standard if it is widely played among jazz musicians. [14], Bebop emerged in the early 1940s, with Charlie Parker, Dizzy Gillespie and Thelonious Monk leading the way. Other influential band leaders of this period were Benny Goodman and Count Basie. 12 in the charts that year. [4], From its conception at the change of the twentieth century, jazz was music intended for dancing. Einigen Standards ist auch der Übergang in andere Musikstile (Popsong, Chanson und Schlager) gelungen. The term ‘Jazz Standard’ is thrown around a lot between improvising jazz musicians, and we all make it our goal to master as many as possible. [3] Two years later, Lynne Sherman's recording with Count Basie and His Orchestra reached No. [2] There is a 20-bar introductory verse, but this is routinely omitted. Ragtime songs "Twelfth Street Rag" and "Tiger Rag" have become popular numbers for jazz artists, as have blues tunes "St. Louis Blues" and "St. James Infirmary". Standards from these sessions include Shorter's "Footprints" (1966) and "Freedom Jazz Dance" by Eddie Harris (1966). [12], Broadway theatre contributed some of the most popular standards of the 1930s, including George and Ira Gershwin's "Summertime" (1935), Richard Rodgers and Lorenz Hart's "My Funny Valentine" (1937) and Jerome Kern and Oscar Hammerstein II's "All the Things You Are" (1939). “All Of Me” was written by Gerald Marks and Seymour Simon in 1931. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York. In 2000, "All of Me" was given the Towering Song Award by the Songwriters Hall of Fame. Jahrhunderts, aus Ragtime, klassischem Blues, frühem Jazz, aus dem Chicago-Jazz der zwanziger Jahre, dem Swing der dreißiger und vierziger, dem Bebop und Hardbop, dem Bossa Nova, dem modalen und selbst dem Free Jazz.“[1]. Diese Gruppe bezieht sich auf das Bluesschema. Among the genre's songs that are now considered standards are Bonfá's "Manhã de Carnaval" (1959), Marcos Valle's "Summer Samba" (1966), and numerous Jobim's songs, including "Desafinado" (1959), "The Girl from Ipanema" (1962) and "Corcovado" (1962). [4] In 2000, "All of Me" was given the Towering Song Award by the Songwriters Hall of Fame. JazzStandards.com: The premier site for the history and analysis of the standards jazz musicians play the most. It appealed to a more specialized audiences than earlier forms of jazz, with sophisticated harmonies, fast tempos and often virtuoso musicianship. The most recorded jazz standard was W. C. Handy's "St. Louis Blues" for over 20 years from the 1930s onward, after which Hoagy Carmichael's "Stardust" replaced it. For the jazz club, see, CS1 maint: BOT: original-url status unknown (, It Don't Mean a Thing (If It Ain't Got That Swing). Top fusion artists, such as Weather Report, Chick Corea and Return to Forever, Herbie Hancock and The Headhunters, The Manhattan Transfer, and the Mahavishnu Orchestra, achieved cross-over popularity, although public interest in the genre faded at the turn of the 1980s. [8], The origins of jazz are in the musical traditions of early twentieth-century New Orleans, including brass band music, the blues, ragtime and spirituals,[9] and some of the most popular early standards come from these influences. [13] Several songs written by Broadway composers in the 1920s have become standards, such as George and Ira Gershwin's "The Man I Love" (1924), Irving Berlin's "Blue Skies" (1927) and Cole Porter's "What Is This Thing Called Love?" With the big bands struggling to keep going during World War II, a shift was happening in jazz in favor of smaller groups. [2] Today, the place is held by "Body and Soul" by Johnny Green. [7]:7 Originally simply called "jazz", the music of early jazz bands is today often referred to as "Dixieland" or "New Orleans jazz", to distinguish it from more recent subgenres. "All of Me" is a popular song and jazz standard written by Gerald Marks and Seymour Simons in 1931. Der dritte und letzte A-Teil endet fast immer auf der Tonika. It has an ABAC structure, and is written in the key of B-flat major. [1], Frank Sinatra recorded several versions of "All of Me". Baby, can't you see I'm no good without you? These songs still rank among the most recorded standards of all time. All of Me is truly one of the most iconic jazz standards of all time, and it encapsulates some of the most common and idiomatic harmonic “moves” that are so pervasive in the jazz language. The most often recorded standards of this period are W. C. Handy's "St. Louis Blues", Turner Layton and Henry Creamer's "After You've Gone" and James Hanley and Ballard MacDonald's "Indiana". Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. Jazz had become popular music in the country, although older generations considered the music immoral and threatening to old cultural values. Standards bilden einen Grundstock des Repertoires von Jazzmusikern. [10], A period known as the "Jazz Age" started in the United States in the 1920s. All of Me (jazz standard) « previous next » Print; Pages: 1 [2] Go Down. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. September 2020 um 15:19 Uhr bearbeitet. It has become one of the most recorded songs of its era including popular versions done by Frank Sinatra, Louis Armstrong, Billie Holiday and Ella Fitzgerald just to name a few. [6], Some compositions written by jazz artists have endured as standards, including Fats Waller's "Honeysuckle Rose" and "Ain't Misbehavin'". [citation needed], Musical compositions that are an important part of the musical repertoire of jazz musicians, This article is about the song type. Sie dienen als Grundlagen für Improvisationen. Typisch dafür ist die Komposition. In den 1960er und frühen 1970er Jahren führte die Experimentierfreude der Jazzmusiker im Free Jazz zur Ersetzung oder Auflösung aller formalen Konventionen, die durch Standards vorgegeben waren. Die Hochphase dieser sogenannten Standards war die Ära des Swing. [3] His 1948 release peaked at No. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. The swing era lasted until the mid-1940s, and produced popular tunes such as Duke Ellington's "Cotton Tail" (1940) and Billy Strayhorn's "Take the 'A' Train" (1941). This is a very common standard that all jazz musicians are expected to know. [2], "The melody [...] combines the contradictory possibilities of the song. Der Terminus Jazzstandard, eigentlich nur Standard genannt, umfasst Kompositionen der vergangenen Jahrzehnte, die von Jazzmusikern kontinuierlich gespielt werden und die Stilentwicklung überdauert haben. [2], "All of Me" first came to public awareness when a performance by Belle Baker was broadcast over the radio in 1931.

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